I don’t remember when I became a painter. But I know exactly when I couldn’t be anything else.
I fell in love with painting in 2010, running from train security with a spray can in hand, heart pounding. Graffiti was my first obsession—raw, fast, and fleeting.
That energy shaped everything I do.
A few years later, I studied Fine Arts, but it was in live painting competitions that I truly honed my style—bold, instinctive, and expressive. These competitions were brutal: endless miles across Spain, city after city, painting massive canvases in just a few hours, waiting for the jury’s verdict. If you subscribe to my newsletter, I’ve got plenty of hilarious stories from those days. Trust me, you’ll have a good laugh.
But the truth is, those competitions burned me out.
I was broke, exhausted, and deep down, I knew that wasn’t my place.
So in 2018, I moved to London with nothing but my brushes, two backpacks, and a suitcase small enough to count as hand luggage. That’s when I found watercolour. Just like graffiti, it demands confidence in every stroke. And I never looked back.
Let me tell you a story.
My first job in London was in a small shop in the northwest of the city.
I barely spoke English, but I could say one thing clearly: I’m a painter.
Slowly, word spread in the neighbourhood. Without realising it, I was building my personal brand. One day, a man with a ponytail walked into the shop, asking for “the Spanish painter.”
That had to be me.
He was moving house and wanted a painting of his street. It was just 300 meters away, so I “escaped” from work for ten minutes to take the reference photos I needed.
The rest of that story? I’ll tell you another time. But that commission was large. At that moment, it was a significant sum of money for me, and from then on, my life changed exponentially for the better.
Not Simply a Painting
My paintings aren’t decoration. They’re stories.
Moments lived, felt, and captured with no second chances—just instinct, tension, and truth.
Each piece holds a pulse. A decision made in one stroke, without undoing. That energy stays alive in the work, and it shows. People don’t just hang these paintings—they remember them.
Collectors don’t support me. They collect a chapter. A mood. A presence.
If a painting speaks to you, trust it.
It might not wait around.
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